Publisher: CinemaSerf February 3, 2024
With two neighbouring kingdom's set for war, their kings decide that the best way forward is for the son of one - "Oda" (Takuya Kimura) to marry the daughter of the other - "Nohime" (Haruka Ayase). Neither are very keen on this arrangement but patrimonial loyalty and all that... An early shoulder massage illustrates really early on that these two are not a marriage made in heaven. Indeed, she proves considerably more adept than him at just about everything and is also unafraid of speaking her mind in front of his nobles - and women, well that just wasn't done! What now ensues does have an element of predictability to it, but this period of 16th century Japanese history is fraught with intrigues, political machinations, duplicity and ambition - and over the next 2¾ hours we have a decently paced unravelling of a generation of dynastic ambitions and manoeuvring that looks good and holds the attention well. Ayase takes the acting plaudits - she delivers well; and the others contribute adequately as the story advances. For me, it was the focus on the internecine society of love and honour your lord whilst you figure out ways to stab him in the back that worked well here. Loads of CGI - well it is 2023, after all, but the costumier and armourer's arts are well represented and the combat scenes spare us the worst excesses of repetition. It's a long slot of your day to commit to on the television, and I wonder if it would look better on a cinema screen, but if it's a genre in which you've an interest, then this is well worth a watch.